Vitaly Kirkpatrick

Vitaly Kirkpatrick, memoir author

The Vitaly memoirs, told in order

Two governments had to sign off before I could call this a marriage.

I landed at JFK in 2005 with three dollars, a bandura, and a folder of documents. This is the story nobody back home believed, told whole. One book is in print. One email when each of the others is ready.

Pull a book off the shelfSend me the opening pages
Chernivtsi, the orphanage
5 Aug 2005, JFK, three dollars
15 Aug 2008, San Diego

Start here: which book first?

Short answer: start at the beginning. The long answer follows, because I wrote four books and apparently like long answers.

If you want the whole story in order, begin with The Misadventures of a Ukrainian Orphan. It is the only one in print today, and a third edition is on the way as The Boy Behind Iron Gates.

If you came for the marriage and the immigration decade, go straight to Green Card, Gold Ring. Six complete chapters are free to read in the page, with no download and no app. The manuscript is finished, but no publication date is set.

If you have read Book One and want to know what came next, the answer is The Family I Went Looking For, a drafted missionary memoir. After that comes How Big Am I Allowed to Dream, which is still being written.

Not sure yet? Leave your email below and I will send the opening pages of the book you pick, one email when it has a date and one when it is on sale.

The attic shelf: four books, told in order

One out. One drafted. One finished. One still being decided. Same folder, same suitcases, different decade.

Every book, one scrapbook page each

What opens from the shelf is also written out here, so you can read it without opening anything.

Cover of The Misadventures of a Ukrainian Orphan by Vitaly Kirkpatrick

Book One · In print since February 2022

The Misadventures of a Ukrainian Orphan

Third edition in preparation as The Boy Behind Iron Gates

Abandoned at six. Raised behind iron gates.

  • 386pages
  • 2022first published
  • 2ndprinting
  • 3rdedition coming

An orphanage in Chernivtsi, in a Ukraine that had just stopped being the Soviet Union. I was abandoned at six and raised behind iron gates. The winters were cold enough that I wore a hat, gloves, and a scarf around my mouth, even inside. Yes, indoors. It was less a style choice than a heating plan.

The yard was a place you did not leave without permission, and a boy was left to work out how much of himself he was allowed to want. That question runs through the whole book, and it is the one the next three books keep asking in different rooms.

I first published it in 2022 under the name Vitaly Magidov. It runs 386 pages and is already in its second printing. A third edition is in preparation as The Boy Behind Iron Gates, reissued under my own name, revised and expanded with the Ukraine of my childhood restored to the page.

This is Book One of four, told in order: the boy, the missionary, the marriage, the dream. It is also where the folder of documents begins, the one that decided more than I did.

Who it is for

Readers who want the story from its first page, and anyone who has wondered what an orphanage childhood in post-Soviet western Ukraine looks like from a boy's height. I do not write trauma for its own sake. If a scene is in the book, it is because it is true and it moved something.

Look inside

“The winters were harsh and biting cold... even inside, I would wear a hat, gloves, and a scarf around my mouth.”

Read or buy

Reviews

No reviews are published yet. This space stays empty until a real one exists.

Cover of The Family I Went Looking For by Vitaly Kirkpatrick

Book Two · Drafted

The Family I Went Looking For

A gay LDS missionary memoir, from a Ukrainian orphanage to the England London Mission

A boy with no family joined the church to find one. For two years, it worked.

  • 2002to 2004
  • Londonmission
  • Draftedstatus
  • Elder Magidovseries

A boy with no family joined the church to find one. For two years, it worked. This is a gay LDS missionary memoir that runs from a Ukrainian orphanage to the England London Mission, 2002 to 2004.

It is not a story about leaving the church. It is a story about entering it, and about what it gave and what it asked. I think joining something on purpose is rarer than leaving it, and it gets fewer jokes, so I am giving this one a few.

The book holds faith and identity at the same time and does not pretend to resolve them. I write the parts people skip, and this book is no exception.

It is part of the Elder Magidov series, and the second of the four books I tell in order. The manuscript is drafted. I have not promised a date, and I would rather leave the date empty than fill it with one that does not exist.

Who it is for

You want a missionary memoir that is not only about leaving. You are interested in faith and identity held at the same time, not resolved. You read Book One and want to know what came next.

Look inside

No opening lines are published yet. The first pages go out by email when this book has a date.

Read or buy

Reviews

No reviews are published yet. This space stays empty until a real one exists.

Cover of Green Card, Gold Ring by Vitaly Kirkpatrick

Book Three · Manuscript finished, publication date not set

Green Card, Gold Ring

Immigration and marriage, as the one story they always were

Two governments had to sign off before I could call this a marriage.

  • 51chapters
  • 122,703words
  • 6chapters to read
  • 2013DOMA falls

I landed at JFK on the fifth of August, 2005, with three dollars, a bandura, and a folder of documents. Eleven years later a stranger across a desk decided whether the man I had married counted as my husband. This is the decade between.

Love arrived in May 2006 with two careful messages and a dollar movie ticket, the cheapest line item in the whole file. We married in San Diego on the fifteenth of August, 2008, two years to the day, with a certificate that was proof we did not wait for permission. It then took the fall of DOMA in 2013 before the rest of the country agreed.

Three questions drive the book. What does it cost to be believed, not by a lover but by a government? Who wrote the script: marry young, raise children, retire? Does love live after the storms, or through them?

I could not find the book about coming out and immigrating at once, where the two processes make each other harder, so I wrote it. The manuscript is finished: 51 chapters and 122,703 words. Six complete chapters are free to read in the page. No publication date is set.

Who it is for

Readers looking for the book about coming out and immigrating at once. Readers who want to see what a government interview room looks like from the chair. Anyone who has stood in a line holding a folder and hoped it was the right folder.

Look inside

“The soft hum of my laptop is the only sound in the room as midnight settles across the windows.”

Read or buy

Reviews

No reviews are published yet. This space stays empty until a real one exists.

Cover of How Big Am I Allowed to Dream by Vitaly Kirkpatrick

Book Four · In progress, title not final

How Big Am I Allowed to Dream

The decade after the green card

Its title is the last line of the book before it.

  • 4subjects
  • Alaskathe ending
  • 2025September
  • No dateyet

A company, a book, a body, a marriage. This is the decade after the green card, when everything I had built was tested at once. Four subjects, one tangle, and no tidy chapter order to hide behind. I am learning to live with that.

Its title is the last line of the book before it. In Green Card, Gold Ring, I ended as though the hard part was over. Life does not care where you place your endings, and this book is where I admit that out loud.

The ending is written, even though the middle is not. It is a real voyage: eleven nights out of Seattle, Alaska, September 2025. The ending is finished. The middle is still negotiating.

I live in Salt Lake City now, and the middle of this book is still being written there. The title is not final, and no date is promised. It is finished when it is finished.

Who it is for

Readers who finished Book Three and want to know what came after the green card. Readers who like to see how a life gets rebuilt once the paperwork stops being the plot.

Look inside

No opening lines are published yet. The first pages go out by email when this book has a date.

Read or buy

Reviews

No reviews are published yet. This space stays empty until a real one exists.

The story, in five tickets

A folder, a flight, and a form nobody had a box for. Five stubs, kept in the order they happened.

  1. Chernivtsi

    Admit one · Book One

    The orphanage

    A childhood in western Ukraine, and a folder of documents that decided more than I did.

  2. 5 Aug 2005

    Admit one · Book One

    JFK, three dollars

    Two suitcases, a bandura, and a country that did not owe me anything.

  3. 15 May 2006

    Admit one · Book Three

    Not the plan

    Love arrived with two careful messages and a dollar movie ticket.

  4. 15 Aug 2008

    Admit one · Book Three

    Two years to the day

    A marriage certificate. Proof that we did not wait for permission. San Diego.

  5. 2013 to now

    Admit one · Books Three and Four

    Five more years

    It took the fall of DOMA before the rest of the country agreed.

Chernivtsi, 2005, Salt Lake City

About the author

I grew up in an orphanage in Chernivtsi, Ukraine, and landed at JFK on the fifth of August, 2005, with two suitcases and three dollars. I spent the next decade learning that belonging somewhere is mostly an administrative act performed by people who are very tired.

I met my husband Kimball the following spring and married him in 2008, five years before the federal government would recognize it. I am the author of The Misadventures of a Ukrainian Orphan (2022) and Green Card, Gold Ring. I live in Salt Lake City.

I write the parts people skip. Not the arrival montage, but the sixteen months of waiting that came after it. Not the wedding photo, but the interview room.

I did not set out to be a writer of immigration stories. I set out to get through the immigration, and the writing was what I did at night so the days would hold still long enough to be looked at. There are books about coming out and books about immigrating. I could not find the one about doing both at once, where the two processes make each other harder.

My one editorial rule: I do not write trauma for its own sake. If a scene is in the book, it is because it is true and it moved something.

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