Vitaly Kirkpatrick

Your book should
sound like you.

Not like everyone else.

The Author Writing App learns how you write — then drafts, edits, narrates, covers and ships the book without ever flattening your voice into a house style.

First 100 authors  ·  free access

No card. No spam. We tell you the day it opens.

116,320words taken end‑to‑end through this studio — drafted, audited, narrated, published
51chapters narrated locally, at no per‑minute cost
0of your words used to train anyone's model

Why another writing tool

Most AI makes every
author sound the same.

That is not a style complaint. It is a commercial problem. Readers buy a voice, and a blended model has none — it has the average of everyone's.

continue this scene

Same manuscript · same instruction

Generic model

The room was filled with an overwhelming sense of anticipation as he contemplated the profound journey that lay ahead of him.

Your voice profile

Three dollars. He counted them twice in his pocket, the way you do when the number matters more than the money.

The usual trade

Generic assistants write competent, weightless prose. You spend the time you saved putting yourself back into it.

The formatting tax

Layout tools make a beautiful file and know nothing about the writing. Two subscriptions, neither one reading your book.

The last mile

Cover, blurb, audiobook, metadata — each a separate vendor, each starting over with no idea who you are.

Voice DNA

It measures how you write, then holds you to it.

Add a book, a few chapters, or paste a sample. The analyzer builds a reusable fingerprint from your actual prose — sentence rhythm, dialogue share, how often you ask the reader a question — and every rewrite afterwards is checked against it.

Book two starts knowing you.

Measured · one real 116,000-word memoir

33words / paragraphHis published book ran 49. A third tighter.
13.5%dialoguePublished book: 12.8%. Essentially unchanged.
2×questions to the reader2.95 per 1,000 words, then 5.95. He started asking.
Between one book and the next he started asking his reader questions instead of telling them things — twice as often, and he had not noticed.

What a voice profile is actually for

Chapter 1 — 3.17 per 1,000Chapter 2 — 7.71 per 1,000Chapter 3 — 0.99 per 1,000Chapter 4 — 3.93 per 1,000Chapter 5 — 6.54 per 1,000Chapter 6 — 4.87 per 1,000Chapter 7 — 4.43 per 1,000Chapter 8 — 3.66 per 1,000Chapter 9 — 5.22 per 1,000Chapter 10 — 5.20 per 1,000Chapter 11 — 5.76 per 1,000Chapter 12 — 4.33 per 1,000Chapter 13 — 4.02 per 1,000Chapter 14 — 4.24 per 1,000Chapter 15 — 6.15 per 1,000Chapter 16 — 12.26 per 1,000Chapter 17 — 11.34 per 1,000Chapter 18 — 14.79 per 1,000Chapter 19 — 9.00 per 1,000Chapter 20 — 8.61 per 1,000Chapter 21 — 9.15 per 1,000Chapter 22 — 7.36 per 1,000Chapter 23 — 5.33 per 1,000Chapter 24 — 4.03 per 1,000Chapter 25 — 5.00 per 1,000Chapter 26 — 4.47 per 1,000Chapter 27 — 10.07 per 1,000Chapter 28 — 6.22 per 1,000Chapter 29 — 7.65 per 1,000Chapter 30 — 11.04 per 1,000Chapter 31 — 4.80 per 1,000Chapter 32 — 6.55 per 1,000Chapter 33 — 2.60 per 1,000Chapter 34 — 2.16 per 1,000Chapter 35 — 6.70 per 1,000Chapter 36 — 3.64 per 1,000Chapter 37 — 5.04 per 1,000Chapter 38 — 6.02 per 1,000Chapter 39 — 8.94 per 1,000Chapter 40 — 4.06 per 1,000Chapter 41 — 2.30 per 1,000Chapter 42 — 1.83 per 1,000Chapter 43 — 2.33 per 1,000Chapter 44 — 3.06 per 1,000Chapter 45 — 9.47 per 1,000Chapter 46 — 1.96 per 1,000Chapter 47 — 6.91 per 1,000Chapter 48 — 0.65 per 1,000Chapter 49 — 5.42 per 1,000Chapter 50 — 4.73 per 1,000published book 2.95ch 1ch 50

Questions per 1,000 words, chapter by chapter. Dashed line: the rate in his published book. Copper: the eight chapters that fall below it.

Try it on your own writing

Paste a paragraph.
See what it sees.

The live style pass, running in your browser. Nothing is uploaded, nothing is stored, and plain direct prose is never redlined.

Adverbs · passive · filler · echoes · sentences past holding length

The manuscript audit

The errors only a reader finds.

Every check below exists because it caught something real in a finished, proofread manuscript that four human passes had already cleared.

It reports. It never edits.

Only you know which side of a contradiction is true, or whether an echo is a refrain. A tool that quietly corrects a memoir's facts is worse than no tool at all.

audit · 50 chapters

Findings — reported, never auto-corrected

FactMission location conflicts — England in one chapter, Ukraine in anotherch 12 · ch 31
QuoteAttributed to the wrong speaker — match confidence 0.99ch 26
StructureChapter ends eight times — each ending weakens the lastch 12
ClarityName used before it is introduced — explained in chapter 14ch 2
EchoStreet address repeated fifteen times14 chapters

Contradictions

The same person or place described two ways. It found a friend's mission placed in two countries, in two chapters.

Misquotes

Quotations checked against source and speaker. It found a line attributed to the wrong man — confidence 0.99.

Cold entrances

Names that walk on with no introduction. Half the time the explanation existed — twelve chapters too late.

False endings

Chapters that end, then end again. One had eight. You feel it as a symphony that will not stop.

Repetition

An epithet re-attached to a name every time it appears. A street address said fifteen times.

Reuse across books

Wording carried over from your own earlier title — before a reviewer notices you told that story already.

Narration

Hear the book, not a robot reading it.

Pick a narrator matched to your genre, or clone your own voice with your consent. Either way the manuscript is rewritten for the ear first — and the page is never touched.

narration

Audition against your own chapter

Michael — natural American 159 wpm
Stuart Bell — British 150 wpm
Your voice — cloned, with consent your pace

Pronunciation, measured per narrator

Chernivtsichair-neev-TSEE
hryvniaHRIV-nya
JFKJay-Eff-Kay
23°Cabout seventy-three Fahrenheit

A narrator matched to the genre — or your own voice

A chapter, narratedfrom the finished memoir · produced locally
The same book, as a podcasttwo voices · written from the chapter, not read from it
What "rewritten for the ear" actually means

Twenty‑three degrees Celsius becomes "about seventy‑three Fahrenheit" in the audio and stays 23°C on the page. JFK is spoken "Jay‑Eff‑Kay", because J‑F‑K reads as three full stops. A foreign name gets respelled per narrator, because a fix that helps one voice damages another. Sentences break only at real joints, never mid‑phrase. Silence is placed by punctuation — longer after a question than a statement.

None of that is in your manuscript. All of it is in the audio.

Cover studio

A cover a reader actually clicks.

Direction, then artwork, then type as its own layer, then a KDP‑ready wrap with spine and back. Eight covers below, across eight genres. Every one of them uses the same artwork you can edit further down — because the type was never baked into the image.

Cover preview

The Quiet Kitchen

Elena Marsh

Change it directly

Move the title. Swap the typeface. Pick new colours.

No re-render, no waiting. The same controls the studio gives you — try them right here. The artwork below is text‑free by design: type is a layer you keep control of, not something baked into the image.

Placement
Typeface
Colour
Artwork
Title

Eight genres · artwork generated, type set separately

Where it differs

What you would otherwise buy five times.

 Generic AI writerLayout toolAuthor Writing App
Writes in your measured voiceHouse style—Voice DNA, from your prose
Voice carries to your next bookStarts over—Book two starts knowing you
Finds contradictions and misquotesNoNoYes, with sources
Catches KDP rejections pre‑uploadNoFormatting onlyFormat and metadata
Audiobook to ACX specNoNoBuilt in, your voice optional
Cover and marketing assetsNoNoStudio and quote cards
Trains models on your bookOften—Never
Your manuscript is not training data

Encrypted in storage and in transit. Your book and your voice model are never shared and never used to train anything. Spelling and grammar run self‑hosted — the text does not leave for a third party to check a comma.

A note from the author

I did not set out to build software for writers.

I set out to finish Green Card, Gold Ring, and kept running into the same wall every working writer knows — not a blank page, but a full one. Two drafts that needed merging into one. Chapters that only made sense in a certain order in my own head. A version I liked better three edits ago and could not find again.

My other work is building things that solve exactly that kind of problem, so eventually I stopped fighting it and built one for myself.

What it actually does, in plain terms: it holds the whole manuscript — chapters, parts, notes, sources — in one place instead of a dozen files; it keeps every version so nothing good gets lost to an edit you regret; and it learns how you write, so a suggestion sounds like you finishing your own sentence, not a stranger finishing it for you. Everything past that — publishing, formatting, the rest — is still being built and tested, mostly on my own two books.

No name I am ready to say out loud yet. When there is something real to show — and only if it turns out to be useful to anyone but me — it lands here first, the same way everything else does: plainly, and only once it is true.

Curious in the meantime? Write to me. That question gets answered first.

Ask me about it

Early access

The first hundred authors get in free.

We are opening a small group first, because the studio gets better the more it learns from real books being finished in it — and because we would rather fix things for a hundred authors than apologise to ten thousand.

No card. No spam. We tell you the day it opens.